David Edward Byrd, a prominent artist known for his mesmerizing psychedelic illustrations, passed away on February 3rd at a hospital in Albuquerque, New Mexico.
He was 83 years old.

His husband, artist Jolino Beserra, shared the news on social media, revealing Byrd's ongoing health struggles, including heart and lung issues, pneumonia, and complications from two COVID-19 infections.

Byrd was born on April 4, 1941, in Tennessee but spent his formative years in Miami Beach, Florida.
In the mid-1960s, he attended Carnegie Mellon University, where he honed his skills in painting and design.
From 1970 to 1979, Byrd also imparted his knowledge as an instructor at Pratt Institute in New York City.

His career took a significant turn in 1968 when he was introduced to rock impresario Bill Graham by his friend Joshua White, who was known for creating the psychedelic light shows at concerts.
Byrd quickly became the exclusive designer for posters and programs at the Fillmore East, a venue that would become iconic in the East Village music scene.
One of his most celebrated works, a poster for a 1968 performance by Jimi Hendrix, was recognized by Billboard magazine as one of the top rock posters of all time.

During the late 1960s and early 1970s, Byrd, alongside the art collective Fantasy Unlimited, created remarkable posters for legendary artists such as Janis Joplin, The Grateful Dead, and Jefferson Airplane.
He also designed promotional materials for The Rolling Stones' 1969 tour and The Who's performance of "Tommy" at the Metropolitan Opera House in 1971.
In 1978, he crafted the album covers for the four solo projects by members of KISS, which were ingeniously designed to fit together as a single mosaic.David Edward Byrd made a lasting mark on Broadway, particularly through his striking and influential poster designs.

One of his standout creations is the vividly eccentric poster for "Little Shop of Horrors," which captures attention with its boldness.

In 1971, he designed a more subtle poster for "Jesus Christ Superstar," blending elements of cathedral artistry with rock motifs.

That same year, Byrd unveiled the iconic poster for "Follies," a musical by Stephen Sondheim and James Goldman, centered around a nostalgic reunion of aging showgirls.

This captivating artwork features a vibrant art deco bust of a showgirl, with flowing blue and purple hair and a headdress adorned with the show’s title, surrounded by a constellation of stars.

Its modern design reflects the bittersweet essence of the musical, with the bust's cracked face symbolizing the passage of time.

In a 2023 conversation with Playbill, Byrd revealed that the inspiration for this poster came from a striking photograph of Gloria Swanson amidst the ruins of a theater, featured in Life magazine.

The poster quickly caught the attention of producer Edgar Lansbury, who invited Byrd to his office near the Winter Garden Theatre, where "Follies" was in previews.

Byrd recounted Lansbury’s request to look out the window, revealing his giant poster on the marquee, leading to the producer's desire for a poster that would depict Jesus.

This marked the creation of Byrd's next significant Broadway piece: the "Godspell" poster.

It showcased Jesus's face in a modern long-haired style, crafted in elegant black and white deco swirls, with a small red circle on his cheek that evoked both circus imagery and the essence of sacrifice.

In the 1980s, Byrd took on the role of art director for the band Van Halen, while also creating posters for notable theaters in Los Angeles, such as the Mark Taper Forum and Ahmanson Theatre.

Although his work resonates with an older audience, his vibrant covers for the first three "Harry Potter" books have reached a younger generation, making him a recognizable name across different age groups.

In 2023, Byrd shared his journey in the autobiography "Poster Child: The Psychedelic Art & Technicolor Life of David Edward Byrd," filled with the creative poster art that has captivated many.One of David Edward Byrd's most notable works is a unique poster he designed for the iconic 1969 Woodstock Music Festival.

This artwork features whimsical cherubs and hearts surrounding a nude female water bearer, with the text “an aquarian exposition wallkill, new york” prominently displayed.

At the time, Byrd was enjoying a vacation in the Caribbean when organizers decided to relocate the festival to Max Yasgur’s farm in Bethel, New York.

Due to his unavailability, festival planners turned to graphic designer Arnold Skolnick, who created the now-famous dove-and-guitar imagery that became emblematic of the event.

Byrd is survived by his partner, Beserra, although detailed information about other survivors has not yet been disclosed.

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